Schedule

Friday's lineup includes Local Natives, Lucinda Williams, Houndmouth, Moses Sumney, and Bootstraps.

Saturday's lineup includes Jackson Browne with his band, Heartless Bastards, Chris Robinson Brotherhood, Jamestown Revival, The Lone Bellow, and The Barr Brothers.

The Carousel will feature Little Hurricane, Joe Fletcher, The Wild Reeds, and The Far West on Friday. Nathaniel Rateliff, Linda Perhacs, Joe Pug and Leslie Stevens on Saturday.

Set times will be released a few weeks prior to the festival.

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woy-2014

Newport Folk Presents WAY OVER YONDER - Sunday

A Rum & Humble/Spaceland Concert

Newport Folk Presents WAY OVER YONDER - Sunday

Sun, October 6, 2013

Doors: 1:00 pm / Show: 2:00 pm (event ends at 9:00 pm)

Santa Monica Pier

Santa Monica, CA

This event is all ages


*SHOW IS RAIN OR SHINE
**Lineup subject to change
***Certain sections 21+ only

Way Over Yonder
Way Over Yonder
The Newport Folk Festival, America’s original music festival, returns to Santa Monica, CA for this year's edition of WAY OVER YONDER.

WAY OVER YONDER brings the same spirit west and will take place on the historic and picturesque Santa Monica Pier, a perfect bookend to Newport Folk’s primary location on the New England shore.

Way Over Yonder will have two stages: the Main Stage outdoors on the deck, where the headliners will appear and the Carousel Stage, inside the historic carousel building, where acoustic acts will perform.

In addition to the musical programming, and the many charms of the Santa Monica Pier, a carefully curated assortment of food and beverage vendors will be present to fortify the audience. Additionally a sod seating area will increase audience comfort
Conor Oberst
Conor Oberst
Conor Oberst is an American singer-songwriter from Omaha, Nebraska. He has been writing and recording music since 1993. In that time he has recorded and performed in many bands and musical collaborations including Commander Venus, Monsters of Folk, Conor Oberst and the Mystic Valley Band, Park Ave., Desaparecidos, and most notably Bright Eyes, his main musical vehicle for the past decade.
First Aid Kit
First Aid Kit
Bittersweet is the word the Söderberg sisters prefer. “We like bittersweet songs, songs that affect you differently depending on how you interpret them,” says Klara, the younger of the Swedish siblings that make up First Aid Kit. “Making the melodies and lyrics head in different directions is very deliberate,” adds big sister Johanna. “A song like ‘Emmylou’ sounds cheerful, but the lyrics are the saddest thing you ever heard.”

First Aid Kit’s first US-recorded album, The Lion’s Roar, juxtaposes sadness and beauty in the best traditions of folk and country music. They even cite the Louvin Brothers’ cheerfully brutal version of the old murder ballad “Knoxville Girl” as the perfect example of the sweet and sour they adore. And this new carefully constructed collection deftly succeeds in setting references to their hometown of Stockholm and long, dark Scandinavian winters against a backdrop of country-rock swing.

Initially signed in 2008 by The Knife-owned label Rabid Records (they are now signed to Wichita), First Aid Kit have gone from faraway teenage fans covering Fleet Foxes for fun to recording a Blue Series 7-Inch single of Buffy Sainte-Marie’s “Universal Soldier” with Jack White at his request in his Nashville, TN Third Man Studios. “I think of it now as like a dream, too good to be true,” says Johanna of the session, happily and hurriedly squeezed into last autumn’s tour schedule.

Where 2010’s debut The Big Black and the Blue was starkly intimate, The Lion’s Roar, recorded in Omaha by Mike Mogis (Bright Eyes, millions more), is a full band record. The girls’ father Benkt takes the bass, Mattias Bergqvist drums, while Mogis and Nate Walcott of Bright Eyes, and a cast of Omaha-based musicians round out the sound. From the dynamic title track onwards, the album is a rich and stirring affair that expands upon the keen and sophisticated country-tinged pop of their debut.

“Emmylou” name-checks such greats as Gram Parsons, Johnny Cash, June Carter, and of course Ms. Harris, yet for all its upbeat appeal, it recognizes the sadness in the lives and art of these heroes. “We’ve listened to those people for a very long time. We hadn’t even toured America when we started writing that song,” confesses Johanna. “We actually finished it in Australia,” adds Klara. The gorgeous, timeless “In The Hearts Of Men” adds mellotron alongside more expected textures.

“My duality awakes,” sings Klara in the lush, knowing “I Found a Way”. The exquisite “Dance to Another Tune” perfectly conjures a haunting sense of unease, while the lovely, steady cadence of “This Old Routine” tells a plaintive, yet redemptive, tale of loves lost and re-found. “To A Poet” opens side two, so to speak, and its elegant coda, featuring a string quartet arranged by Walcott, particularly impressed the Söderbergs. “We recorded our last record at home. We couldn’t even have fit them all in,” says Klara.

Despite its lonesome sound, “New Year’s Eve” – all distant reverb and atmospherics – is “actually very hopeful”. Finally the exuberant hoedown of ‘King of the World’ features The Felice Brothers, just passing through town during the session, and local hero Conor Oberst, who sings the last verse.

“We’d never worked with a producer before,” says Johanna. “Yet we never disagreed with Mike about anything.” The resulting record is serious fun, yet First Aid Kit are only starting. “We want to work in music forever. Our voices and songs could work in many genres,” says Johanna, “We don’t know how we’ll sound in ten years time.” But which do they prefer singing, sad or happy songs? They roar with laughter. “We only sing sad songs.” There will never be a shortage of those, and in First Aid Kit’s hands, they will always sound nothing short of glorious.
The Felice Brothers
The Felice Brothers
God Bless You, Amigo is a collection of home recordings made in the spring of 2012. Due to a cloud of misfortune resembling in part the curse of Rocky Colavito, our home was nearly destroyed by a freak hurricane; our prized and seemingly immutable Winnebago was driven to the ground and mercy shot somewhere in Vermont (long may she stalk the golden highways of heaven); our singer and lead guitarist, Wall Street Panic Snopes, was hospitalized for an acute skin disorder in a foreign hospital; and then in what seemed a perfect finale, all of our amps
sizzled out and died during rehearsal upon his return.

This made us go insane with laughter and play our favorite song, “Gulf Of Mexico” – which is also a known aid in exorcism – for what seemed like hours. The old fiddle tune had a strange power over the band, but our management convinced us that releasing a four-hour instrumental was a little too reckless, even for us. After much deliberation we all agreed that we should play more songs along with “Gulf of Mexico.” We all spit in our hands and shook on it. This material consists of eight traditional folk songs and 12 original songs that we’ve always liked, but never had a chance to put on records.

The proceeds from God Bless You, Amigo will go towards a new tour vehicle so that we can come and play your town, or enable us to go into a studio and record a new album (as we have a lot of new material), or to fix our amps. It’s only a $5 download, but you can give more if you are feeling philanthropic.

God bless you, Amigos – The Felice Brothers
Jonathan Wilson
Jonathan Wilson
Downtown Records is set to release Jonathan Wilson’s Fanfare on October 15. In anticipation of the release, Paste is premiering the album track “Love to Love” at http://bit.ly/1dqkF6Z. Fanfare features vocal and instrumental contributions from Graham Nash, David Crosby, Jackson Browne, Josh Tillman (aka Father John Misty), Wilco’s Patrick Sansone, and Dawes’ Taylor Goldsmith, as well as Mike Campbell and Benmont Tench from Tom Petty and The Heartbreakers. Fanfare follows the success of Jonathan Wilson’s critically acclaimed 2011 debut Gentle Spirit, which was hailed by SPIN as “intricately produced and gently epic” and praised by Rolling Stone for its “gorgeously detailed folk-rock ambles.” The Fanfare track “Dear Friend” is also available to be streamed and shared on Soundcloud at http://bit.ly/1ckvXcA.

Jonathan Wilson recorded Fanfare with engineer Bryce Gonzales over a nine-month period at Wilson’s Fivestar Studios in Echo Park. British folk legend Roy Harper co-wrote several of the songs on the album, which also features Wilson’s regular band members, Richard Gowen (drums), Dan Horne (bass), Omar Velasco (guitar) and Jason Borger (piano/organ). “There is a high degree of musical prowess and pedigree here. Cross-generational musical sharing and passing down traditions is very important to me and something that must continue,” Wilson says. “This is the way you keep the fanfares blowing. This is how you keep the energies interacting.” The band is set to perform at Newport Presents Way Over Yonder in Santa Monica on October 6, The Chapel in San Francisco on November 1.

Born and raised in North Carolina and now based in the Echo Park neighborhood of Los Angeles, Jonathan Wilson arrived in Laurel Canyon in 2005 and is credited with helping to revive the neighborhood’s once-legendary music scene. As a sought-after producer, Wilson’s recent work includes albums by Father John Misty and Dawes.
Thao & The Get Down Stay Down
Thao & The Get Down Stay Down
On February 5, Ribbon Music is set to release We the Common, the third full-length album from critically acclaimed artist Thao & the Get Down Stay Down. The album cut "Holy Roller" is streaming now at www.thaoandthegetdownstaydown.com. Frontwoman Thao Nguyen notes that the track "was the first song I wrote for this new record...it marked a shift in how I operate. I was steadily, in an overdue way, becoming grateful for everything and everyone I had. I tried to capture a sense of revival and a determination to be better."

Recorded at San Francisco's Tiny Telephone Studios and Dallas' Elmwood Studio, We the Common was produced by John Congleton (St. Vincent, Bill Callahan, the Walkmen, Explosions in the Sky) and features a duet with Joanna Newsom on the track "Kindness Be Conceived." Thao observes, "We the Common is an album about wanting to be a human who tries and is grateful for the opportunity. It is about wanting to be better and closer to people. I have had over a year respite from touring and recording-in this year I started really trying to be a part of the community I live in and the family I was born into." The album is the follow-up to Thao's 2009 release Know Better Learn Faster, which Pitchfork praised for its "warm exuberance that keeps the music spry" while SPIN noted that Thao's "lazily smoky voice has its bitterly harsh moments, but her coolly analytical self-awareness stings the most."

Based in San Francisco after growing up in Falls Church, VA, Thao Nguyen first picked up a guitar at age 12. She has worked with a long list of acclaimed artists including Andrew Bird, Mirah, Laura Veirs and producer Tucker Martine (The Decemberists, Sufjan Stevens) and has recorded a pair of critically acclaimed records for Kill Rock Stars, 2008's We Brave Bee Stings and All and the aforementioned 2009 release Know Better Learn Faster with her backing band the Get Down Stay Down. Since her last album Thao has worked with the artist advocacy non-profit Air Traffic Control (http://atctower.net/) and has volunteered extensively with the California Coalition for Women Prisoners. This year, in addition to recording her forthcoming album, Thao has toured the US with the nationally syndicated NPR program "Radiolab."

"Ms. Nguyen's voice, wobbly and rich, is engaging, and her gently confessional lyrics...are equally beguiling."-The New York Times
Hurray For The Riff Raff
Hurray For The Riff Raff
Hurray for the Riff Raff is Alynda lee Segarra, a 25 year old Puerto Rican from the Bronx. After leaving home at an early age to travel the country, she eventually settled in New Orleans where she began to perform and record with a revolving cast of musicians. She released two records (2008’s It Don’t Mean I Don’t Love You and 2010’s Young Blood Blues) mostly consisting of delicate folk and country songs. In 2011, the UK record label Loose Music (Felice Brothers, Dawes, Deer Tick), released Hurray for the Riff Raff, an album that collected the best songs from those records. The Times of London named Hurray for the Riff Raff one of the Top Ten Albums of 2011. Phil Alexander, the Editor-in-Chief of Mojo Magazine, raved that they “have immense potential and seductive power” and named them second best band at SXSW 2011.

Back in the States, Alynda and her longtime gunslinger on fiddle, Yosi Perlstein, met up with a young honky-tonk band called the Tumbleweeds, just as Alynda began to expand her musical palette to include rock n roll, pop, and soul. In the tradition of Bob Dylan with Band and Neil Young with Crazy Horse, Alynda and Yosi recruited the Tumbleweeds to be their touring band, drastically altering the sound of Hurray for the Riff Raff.

Look Out Mama is the result of almost two years of Alynda and the Tumbleweeds criss-crossing the USA, playing over 100 shows in small bars and clubs. Recorded in Nashville by producer Andrija Tokic (Alabama Shakes), Look Out Mama is an exploration of classic American music as interpreted by Alynda lee Segarra. From the Swamp Pop of “Little Black Star” to the Classic Country of “Look Out Mama”, to the Psychedelia of “Ode to John and Yoko” and even the Surf-Rock of “Lake of Fire”, Look Out Mama covers a wide array of musical ground, with every song unified by Alynda’s soulful vocals and expert songwriting.
Spirit Family Reunion
Spirit Family Reunion
Spirit Family Reunion play homegrown American music to stomp, clap, shake and holler with. Ever since they started singing together on the street corners, farmer's markets and subway stations of New York City, their songs have rung-out in a pure and timeless way. When Spirit Family Reunion gather to sing, there is communion. Strangers and neighbors come to rejoice in the sound, and there is no divide between performer and spectator.

In a strange barroom or a grand music hall, at a barn dance or on the sunny street corner, Spirit Family Reunion keep the book open, and that old familiar feeling that was almost lost is again new.

"Dusty acoustic guitars, wailing fiddles and weeping accordions, with a woozy-yet-skintight rhythm section-- and topped off with burr-edged vocals that sound like they've been soaked in a Mason jar for generations -- it's the type of music that blurs the line between past and present so thoroughly, and so deftly, that time feels irrelevant." - Paste Magazine "Best of What's Next"
Aaron Embry
Aaron Embry
At the tail end of his three-year stint as the piano player for the Los Angeles ensemble Edward Sharpe & the Magnetic Zeros, Aaron Embry finally found the voice for which he'd been searching. He discovered this voice captive in an arch top tenor guitar, a harmonica, and a small stack of moleskin notebooks. Travel-ready and now equipped with his new discoveries, Embry found a current and the songs came up like a flood.

He wrote at a prolific rate while on tour throughout the late spring and fall of last year, a body of songs born among communal, creative atmospheres of life on the road with Sharpe and of time on the rails with the numerous musicians of 2011's Railroad Revival Tour. As a songwriter, Embry cut his teeth by recording and touring with greats such as Elliott Smith, Willie Nelson, and Daniel Lanois, among plenty of others.

In April 2012 he began recording, and the outcome is Tiny Prayers: a 10-track collection that explores a wide range of emotions while anchored in the cardinal folk tradition of simplicity. Elemental s ong structures and spartan acoustic arrangements bring Embry up close and in focus as a songwriter, singer, and musician. Lyrics such as "Is my happiness dependent on its own design? Am I only waking up to leave my dreams behind?" are evidence of his love for emotional complexity, while his voice and bare instrumentation carve melodies that are built like something low to the ground yet wide as the sky.

Tiny Prayers was recorded at the Embry's family home in Ojai, CA. It is set for release in Fall 2012.
Frank Fairfield
Frank Fairfield
Frank Fairfield is a young man and old time folk musician who plays fiddle, guitar and banjo while singing and hollering. An unbelievable word of mouth sensation who channels the spirit of another era in his spellbinding live shows.
From California, USA, Frank sings tunes he has worked hard to collect from around the world as well as his own well-dusted ditties. His eclectic sets feature soaring hillbilly ballads, arcane rambling songs and murder ballads delivered in a reedy tenor with that irresistible American Primitive quality. Still in his twenties but steeped in the pre-War Americana of Mississippi John Hurt and Dock Boggs, he cut his teeth as a street performer in LA and has the raw intensity and quick-fingered technique to make your hairs stand on end. Alternating between banjo, fiddle and guitar, he performs a different set of traditional songs and originals each night, drawing on his encyclopaedic knowledge of the American folk canon.
Joel Rafael
Joel Rafael
Over four decades Rafael has chronicled his life and the world around him with songwriting rooted in folk tradition; and no influence is more obvious in his work than that of Woody Guthrie. Joel composed music for five sets of Guthrie lyrics given to him by Woody's daughter Nora, and two of his co-writes with Guthrie appear in Every 100 Years - The Woody Guthrie song book (2012). "Dance Around My Atom Fire" (Guthrie/Rafael), the opening track of his recent release, America Come Home (July 2012), took top honors as the 9th Annual International Acoustic Music Association's Best Folk Song of 2012. David Crosby and Graham Nash contribute harmonies to the title track, "America Come Home."

Joel Rafael first began performing in showcases and small clubs around Los Angeles, San Diego and the Inland Empire in California. He formed a duo with San Diego-based Rosie Flores in 1978, enjoying standing-room-only crowds during their nine-month collaboration, and local promoters sought him as an opener for national touring acts from Rick Danko to Emmy Lou Harris, including John Lee Hooker, John Stewart, Laura Nyro, and Taj Majal. In 1981, Rafael toured the southwest with Jesse Colin Young, and released a debut album, Dharma Bums.

The emergence of the seminal Joel Rafael Band in 1994, coinciding with a period of FM radio programming freedom, resulted in national airplay, a tour with Joan Baez, and regular co-bookings with John Trudell. Rafael won Kerrville Folk Festival's "New Folk Songwriter Award" in 1995 and he has been a featured performer at the Woody Guthrie Folk Festival every year since its inception in 1998.
Venue Information:
Santa Monica Pier
Ocean Ave. at Colorado Ave.
Santa Monica, CA, 90401